Gnosis Ratings

Reviews:

Sjef Oellers 17-Jan-2001 Voici La Nuit Tombee

Travelling are a French band playing in the trio format (keyboards, bass, drums). Musically they have links to Soft Machine, Robert Wyatt and ELP. Keyboard player Yves Hasslemann has a fairly varied playing style, incorporating classical, blues and jazz elements. In contrast to Soft Machine's Mike Ratledge, Hasselmann plays piano more frequently, but occasionally fuzz organ can be heard as well. Nice album with some excellent piano and organ playing.

Tom Hayes 19-Feb-2001 Voici la Nuit Tombee

In the mid- to late 60s, free jazz was a prominent feature in the Parisian nightclubs and overall had a strong foothold throughout France. On the vanguard for this movement of jazz was the Futura label. Today the label has attained a mythical stature; 1) because of the consistent high quality music the label produced and 2) the scarcity of the product. In the early 70s, the Futura label expanded its scope to include new and exciting experimental avant rock music which seemed to mesh well with the style of jazz the label portrayed. These albums were designated as the RED series and debuted, naturally enough, with a band called Red Noise.
Perhaps the most accessible of these RED bands was Travelling, a keyboard-based trio that probably represented best what the label was about: Jazz, rock and an experimental inquisitiveness. Their sole album is a combination of the early Canterbury movement circa Soft Machine 2, the continental equivalent in Supersister, piano jazz and avant-garde classical/electronics. In fact, the 18-minute title track has all these elements which include Wyatt-esque vocals (however, here in French), fuzz bass, fuzz organ, piano jazz, complex meters and echoed early synthesizers/machines; a contrast in tight ensemble playing combined with loose free improvisation. The other five shorter tracks are really just the same though more contained within the environment of a small composition. The closer demonstrates a melancholic sadness not displayed elsewhere.
Originals of any Futura album run into the small fortune area. Travelling is no exception and was a staple $600+ LP. Fortunately within the last year, Italian CD label Mellow Records released this so that everyone can hear this gem.

Links for further information

Sjef Oellers	17-Jan-2001	Voici La Nuit Tombee
Travelling are a French band playing in the trio format (keyboards, bass, drums). Musically they have links to Soft Machine, Robert Wyatt and ELP. Keyboard player Yves Hasslemann has a fairly varied playing style, incorporating classical, blues and jazz elements. In contrast to Soft Machine's Mike Ratledge, Hasselmann plays piano more frequently, but occasionally fuzz organ can be heard as well. Nice album with some excellent piano and organ playing.
Tom Hayes	19-Feb-2001	Voici la Nuit Tombee
In the mid- to late 60s, free jazz was a prominent feature in the Parisian nightclubs and overall had a strong foothold throughout France. On the vanguard for this movement of jazz was the Futura label. Today the label has attained a mythical stature; 1) because of the consistent high quality music the label produced and 2) the scarcity of the product. In the early 70s, the Futura label expanded its scope to include new and exciting experimental avant rock music which seemed to mesh well with the style of jazz the label portrayed. These albums were designated as the RED series and debuted, naturally enough, with a band called Red Noise. Perhaps the most accessible of these RED bands was Travelling, a keyboard-based trio that probably represented best what the label was about: Jazz, rock and an experimental inquisitiveness. Their sole album is a combination of the early Canterbury movement circa Soft Machine 2, the continental equivalent in Supersister, piano jazz and avant-garde classical/electronics. In fact, the 18-minute title track has all these elements which include Wyatt-esque vocals (however, here in French), fuzz bass, fuzz organ, piano jazz, complex meters and echoed early synthesizers/machines; a contrast in tight ensemble playing combined with loose free improvisation. The other five shorter tracks are really just the same though more contained within the environment of a small composition. The closer demonstrates a melancholic sadness not displayed elsewhere. Originals of any Futura album run into the small fortune area. Travelling is no exception and was a staple $600+ LP. Fortunately within the last year, Italian CD label Mellow Records released this so that everyone can hear this gem.
Links for further information