Reviews:
Peter Thelen
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21-March-2001
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Crazy Diamond
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Syd Barrett - "Crazy Diamond" (Harvest 0777 7 81412 28, 1993, 3CD)
With the exception of some live sessions recorded for the John Peel show,
this 3CD box set purportedly contains all of the surviving post-Pink Floyd
recordings of their one time bandleader Syd Barrett. Syd's story by now
should be a familiar one to many, the bright star of the early band who
wrote nearly all of their material, played guitar and sang; whose fondness
for chemicals led to a gradual unpredictability, a cancelled US tour, an
inability to perform live, and ultimately to the recruitment of David
Gilmour to cover Syd as second guitarist. The last straw, however, came
during the early sessions for the second album when Syd recruited part of a
marching band to join Floyd (as evidenced by the two tracks "Jugband Blues"
and "Corporal Clegg"). Syd and his buddies in the marching band were out,
and Floyd would carry on from that day forward as a four-piece without him.
This set contains three discs, the first two which contain Barrett's two
solo albums from 1970, The Madcap Laughs and Barrett,
featuring, for the
most part, a stark, stripped down sound, very unlike that of his former
band. Some of the tracks on the former consist only of acoustic guitar and
vocals, often painfully tortured sounding ("She Took A long Cold Look", "If
It's In You") while others ("No Good Trying", "Octopus", "Golden Hair") have
a more lush production and feature guesting by members of Gilmour's
pre-Floyd band Joker's Wild, and the then-current lineup of Soft Machine.
The second album, although overall a bit more even, seemed somewhat less
inspired than the first. The third disc in the set (Opel), originally
released in the late 80's, consisted of outtakes from the sessions for the
first two and aborted sessions for a third album. There is some surprisingly
interesting material here: A new version of "Dark Globe", "Birdy Hop", "Word
Song" and others, most of which had been circulating through the years as
bootlegs or semi-legitimate 7" releases. All of these, though, bear little
resemblance to early Floyd, save their eccentricity. Overall, as a solo
artist, Barrett's output could be considered uneven and rough at best, with
many shining moments, but not enough to make any of these albums more than
curiosities for those interested in his unique perspective.
For the box set, each of the three discs has a handful of bonus tracks,
consisting of alternate takes of the original tracks - again, interesting
material, but not essential. The box contains a 24 page booklet offering
photos, a history, lyrics for some of the songs, and exhaustive details of
all the recording sessions (and a few tracks that were not included
here).
(Originally published in Exposé #3, p.15, Edited for Gnosis 3/22/01)
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