Asgard are an interesting phenomenon for a neo-progressive. They are
influenced by Marillion, IQ and Pendragon, yet they seem to (for the most
part) avoid most of the insipid commercialism that affects some of the music
of those bands and many of their adherents. On their debut,
Gotterdammerung (WMMS 007), Asgard come off as a darker variant on
the best of early Marillion with an interesting gothic vocal introduction.
Most of their music is very laid back and softly symphonic, and while their
singer does have many allusions to Gabriel and Fish, he does it much better
than most. Nothing amazing (they don't pick up the pace or vary the
dynamics enough) but nice nonetheless. Esoteric Poem (WMMS 009) is
the first of their two albums released in 1992 and is a continuation of the
style on their debut with a more confident and streamlined approach. Again,
not a masterpiece but at least they stay away from the bounciness that hurts
most bands of this type. Much of it is good mellow symphonic with a
brooding gothic feel to it. Arkana (WMMS 018) was the peak of
Asgard's achievements to this point as there are more interesting dynamics
with some up beat moments that do much to move the music. Unfortunately,
there's only a couple of these during the duration of the 70 plus minutes
and a lot of it drags. Overall, quite good and recommended to fans of
neo-progressive.
(originally reviewed as part of The New Italian Progressive Rock
Scene - Part 2, Exposé #4, p. 9, Edited for Gnosis 4/28/01)
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