Show Date: Tue. December 21, 1999
Show #74
Argentina - volume 4



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Playlist:
# Artist Song (click to play) Album Year CD label
1 Los Jaivas Desde un Barrial Aconcagua 1981 Mardel-X
This album is part of a 2-fer CD re-issue along with _Cancion del Sur_. Los Jaivas is one of my favorites from South America mixing Andean folk music with inspired rock music spiced with influences of Latin rhythms and jazz. The music sometimes reminds of Ennio Morricone's spaghetti western soundtracks, in the more acoustic moments. But, of course, that is quickly dispelled with wild fuzz guitar leads.
 
2 Seru Giran Eiti-Leda Seru Giran 1978 Diapason
Another band led by Charly Garcia, ex-Sui Generis. Also with David Lebon, ex-Color Humano and Pescado Rabioso. Like Sui Generis, it is somewhat folk and pop oriented. Kinda light prog with some occasional flourishes of guitar virtuosity. I'd say this album is good, but, not necessarily recommendable.
 
3 Contraluz Clave de Sol Americanos 1973 Mardel-X
Hard-rock proto-prog that sounds mostly influenced by the first 3 Jethro Tull albums, and perhaps a little like Rod Evans era Deep Purple. It is pretty good for what it is, but, does not have much originality. This is their only album.
 
4 Lito Vitale Pueblos y Caminos Sobre Micolos Creencias y Supersticiones 1979 Belle Antique
First solo album by the ex-leader and keyboardist of Mia. It is a nice symphonic album that is basically a keyboard extravaganza. His later albums move towards jazz/fusion in the style of Lyle Mays and Pat Metheny.
 
5 The Speakers Oda a La Gente Mediocre En el Maravilloso Mundo de Ingeson 1969 ? (LP only)
An early psyche album with typical 60's influences - the Beatles, Byrds, Beach Boys, etc.
 
6 Espiritu Hay un Mundo Luminoso Crisalida 1975 Music Hall
A favorite for many people of the Argentinian music scene. This album will certainly appeal to fans of the Italian progressive music scene, PFM for example. The band is tight and the music energetic. Reminiscent in some ways of Balletto di Bronzo. Heartily recommended.
 


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