# |
Artist |
Song (click to play) |
Album |
Year |
CD label |
1 |
Ave Rock |
Pause in Spaces (excerpt) |
Espacios |
1977 |
Progressive Rock Worldwide |
|
Symphonic style that reminds me of groups like Greenslade and The Trip.
This album did not have much of an initial impression on me, but,
is growing. It has a subtle charm that may take a while to sink in.
There are 2 very long tracks which develop through many ideas and
moods. This is the band's 2nd of only 2 releases.
|
|
2 |
Magma |
La Transformacion |
La Transformacion |
1985 |
Record Runner |
|
Intricate folky progressive with emphasis on flute.
The music is quite delicate and mellow, like Celeste. Does the vocalist
remind anyone else of Jim Nabors? A large portion of the album is
instrumental. The CD re-issue contains their first 2 albums in
their entirety.
|
|
3 |
Aquelarre |
Canto |
Aquelarre |
1972 |
DG discos (?) |
|
Bluesy rock that does not sound particularly progressive to me. Has
elements of what I would consider southern(US)-rock. This is one of
3 bands that was formed from the demise of Almendra, who are supposed
to be one of the greats of the early Argentine rock-music scene.
This is their first of 4 albums. Does anyone have any comments as to
whether the later albums are more interesting?
|
|
4 |
Gustavo Montesano |
Primer triunfo |
Homenaje |
1977 |
Record Runner |
|
Solo album from the leader/bass-player of Crucis, and Somewhat in
the same vein. There is also a strong Santana influence in
a couple of songs. The CD re-issue contains 2 previously unreleased
tracks by Crucis. It is a decent album, but, not a barn-burner like
the 2 Crucis albums.
|
|
5 |
Alas |
La Muerte Conto El Dinero |
Alas |
1976 |
Progressive Rock Worldwide |
|
A great piece of Canterbury from Argentina! Chris Squire influenced
bass playing, and some Emerson influenced keyboard playing.
But, the over-riding influence seems to be Canterbury, in particular
in the Dave Stewart style keyboards, ala Hatfield and the North.
This album is a MUST for fans of National Health.
|
|